There is much to catch up on for your summer listening pleasure. Faithful readers will recall how often I choose the Classical period for musical refreshment. And so it is again with the Symphonies Op. 3, Nos. 1-4 of Franz Ignaz Beck (1734-1809) on a new budget Naxos release (8.570799). I seemed to recall an … Read more
When the history of 20th-century music is written in the next several hundred years, will it bear much resemblance to how we think of it now? I have long suspected that there is a hidden history of classical music during this period that would one day surface. I tried to write part of it in … Read more
I was recently in “old Europe” for a conference on Islam and to promote my new book, The Closing of the Muslim Mind (alas, not a work about music). However, what’s the point of being in old Europe without music? The very stones cry out for it. Therefore, I snuck in an opera in Vienna, … Read more
Spring quickens one’s sense of delight and lifts one’s spirits as the world awakens. Many puzzle over how the world began; I am still in wonder at how spring happens. With a child’s appetite for repetition, I am always ready to say: Do it again! This is my inspiration for focusing mostly on delightful music … Read more
I collect illuminating tidbits from Modernity and offer them to discriminating readers from time to time. Herewith are the most recent for your delectation. Â A Parade magazine poll on spirituality reported that “69% of Americans believe in God,” and that “77% pray outside of religious services.” While the article invites us to find encouragement … Read more
A friend in a nursing home left me this phone message at the beginning of Holy Week: “God came to us and we murdered Him, tortured Him to death, spat on Him. And now, all He asks of us is that we let Him forgive us. Some people won’t even do that. Isn’t that amazing? … Read more
As is happily the norm, I am inundated with CD releases that demand your attention. The music spans the 18th to the 20th centuries, so I shall proceed chronologically, having no other principle of organization at hand. This way you can simply skip the centuries you deplore and get to the good stuff. (That is … Read more
This month I will focus on contemporary music, by which I mean music of the 20th and 21st centuries. Music from this period has been my preoccupation: When discussions began about the possible content of my Morley Institute book, Surprised by Beauty (2002), it turned out that the majority of my columns from the … Read more
As 2009 expires, music journalists and magazines rush to anoint their recordings of the year. I have no such list, but I did take note of the British Gramophone’s December selection of the Quatuor Ébène’s CD of the Ravel, Debussy, and Fauré String Quartets on Virgin Classics (519045-2) as the recording of the year. I … Read more
With his new Requiem, Swiss composer Carl Rütti has made a major contribution to the repertory. Naxos has issued a stunning recording of it with the Bach Choir, the Southern Sinfonia, soprano Olivia Robinson, and baritone Edward Price, under conductor David Hill (Naxos 8.572317). I first interviewed Rütti for crisis Magazine in May 1999, at … Read more
I shall meander this beautiful fall month, hoping to take you with me to Great Britain as I cover concerts and recordings that I particularly liked — no more important reason than that. When last reporting on my musical adventures, I gave account of several concerts at the Royal Albert Hall in London in late … Read more
Finally, a leader has spoken about the real, essential differences in the struggle between the West and Islam, as it emanates from a contest within Islam itself over the most important things. With startling — indeed alarming — clarity, Pope Benedict XVI told his audience in Regensburg, Germany, in a 2006 lecture, that not only … Read more
Due to my recent columns celebrating the Haydn and Mendelssohn anniversaries, I have fallen woefully behind on months of new releases that beg for attention. This is a catch-up effort.  I begin with music of the soufflé from the Classical era. Giovanni Paisiello (1740-1816) wrote eight keyboard concertos that brim with felicitous melody. Naxos … Read more
Crisis Magazine music critic Robert R. Reilly sat down with noted writer, political thinker, and Georgetown University professor Rev. James V. Schall, S.J., to talk about the life of the mind, the future of the West, and lessons learned over a long career in education. ♦          ♦          ♦ Robert R. Reilly: What is the … Read more
I recently heard a charming quote from novelist Edith Wharton to the effect that there are two roles in life — either that of a candle or of a mirror. I’m a mirror. Even when I thought I was a candle — years ago as an actor — I was really a mirror, trying my … Read more
As the most immaterial art, music is often thought to be the most spiritual. By its nature, is music sacred? If so, what is sacred about it? These might seem strange questions to ask in a secular age, but the presumption that there is something special about music pervades even our culture.Consider the poster on … Read more
While it is still the bicentenary year of Mendelssohn’s birth in 1809, I thought I should find a way to observe it. A trip to London in late July gave me the opportunity. At the Proms, a series of summer concerts held at the Royal Albert Hall in London, I had the rare chance to … Read more
May 31 was the 200th anniversary of Franz Joseph Haydn’s death in 1809 at the age of 77. He was so revered that an honor guard was posted outside of his Vienna residence during his last days. The great good news is that this commemoration has generated a flood of Haydn releases and re-releases of … Read more
Last month, I was celebrating the Naxos American Classics release of Vittorio Giannini’s Piano Concerto and his Symphony No. 4. When I pleaded that Naxos consider recording the other six symphonies, I had forgotten that Naxos has already released Giannini’s Symphony No. 3 (1958), so it has only five to go. The Third Symphony is … Read more
Before starting any reviews this month, I must exercise (or is it exorcise?) my ire. The Economist magazine offered a December cover story, "Why Music?" that requires comment. The piece asks, "What exactly is it for?" Given the article’s art work — drawings of half-naked women emanating from the brain of a rock … Read more