The outcry against bad liturgical music has been growing in volume and numbers. Crisis author and professor Anthony Esolen has provided deeply insightful explanations of why many modern hymns are aesthetically and theologically shoddy compared to older, more traditional ones. Podcasts such as “The Catholic Talk Show” devote episodes to mocking the worst church music … Read more
In an earlier column, I asked why we could not sing hymns from the Christian treasury, which is nearly two thousand years old, and which features composers with names like Bach and Handel and poets from Prudentius to Thomas Aquinas to Isaac Watts, the Wesleys, and John Henry Newman, rather than silly, sloppy, banally sentimental, … Read more
I often hear that since most of what is produced in any age is garbage, the quality of the hymns in a compilation such as the Hymnal 1940 is partly an illusion, because the earlier bad stuff would have been tossed aside. This observation is by way of excusing the bulk of church songs composed since 1965; time … Read more
I’m sometimes accused, when I write about bad hymns, of wanting to impose a single style upon everyone. I find this strange. It’s like saying that all classical music sounds the same, and that Bach, Brahms, Dvorak, and Debussy are all the same. I point out that the hymns in a good hymnal were composed … Read more
Hunkering down during the latest snowstorm, my family and I had to attend Mass via television. We saw a nationally broadcast Mass that wasn’t heretical, but that was an emblem of just about everything that I have criticized in my last two articles, on vocations. In particular, the little girl (and one boy) choir sang … Read more